By Nicola Colecchia
Many museums, artwork exhibitions and galleries are searhing for new languages to teach the viewers their masterpieces. This essay is a technical resolution to this need.
The language proposed this is the sub-symbolic language of the neural networks, that is in accordance with the bottom-up method.
The merits of such method are as follows:
a) The that means of a piece emerges gradually from its actual, perceptive and sensible elements in accordance with the self-generating precept of the dynamic systems;
b) the distance language of the murals is reworked right into a sequential tale. for that reason within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite occurs via specific neuroscientific standards, varied from the unfastened interpretations of the creative;
d) the entire narration is configured based on a cluster research, said within the final pages of this essay.
AUTHOR OF THE ESSAY:
Nicola Colecchia, previous researcher of basic Psychology at the collage of Bologna, now directs Synapticart, Laboratory of paintings and technological know-how (www.synapticart.org), the place particular study on artistic and comprehension procedures of paintings works (paintings, layout, installations, structure) is conducted.
Through an interdisciplinary technique in response to the self-generating precept of neural networks, he has elaborated works through nice artists of a long time and locations intentionally assorted from one another, on the way to spot almost certainly universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.
Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to augment the horny strength in their masterpieces. in reality the sub-symbolic language is “automatically” produced and understood either by means of the artist and via the observer’s of the paintings since it relies on an in-born code , which comprises everybody’s brain and physique, unbeknown to them.
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Extra resources for Anatomy of a Painting: Magritte’s Meditation
Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia